Via Boing Boing -
Among Thelonious Monk's many gifts was his fashion sense. While his own duds are pretty sharp, here, he shows his admiration for saxophonist Johnny Griffin's fabulous Danish pants, from, I'm guessing 1967. Sadly, no color film exists of this clip.
Showing posts with label Thelonious Monk. Show all posts
Showing posts with label Thelonious Monk. Show all posts
Saturday, August 31, 2019
Saturday, October 14, 2017
Playlist for the Unpopular Music Webcast for October 14, 2017
Today we commemorate the one-hundredth anniversary of the birth of Thelonious Monk, one of the singular jazz pianists and composers and a personal idol of mine. If pressed to bestow such a ridiculous title, I would say he's my favorite musician ever.
However, thanks to our old friend the Digital Millennium Copyright Act, we cannot play more than four tracks credited to any one artist in the time allotted for the webcast, so, as with our Ornette Coleman tribute a couple of years back, we necessarily focus on Monk the composer.
However, thanks to our old friend the Digital Millennium Copyright Act, we cannot play more than four tracks credited to any one artist in the time allotted for the webcast, so, as with our Ornette Coleman tribute a couple of years back, we necessarily focus on Monk the composer.
Thursday, September 4, 2014
Top 4 for September 4, 2014
Short and sweet today, little if any explanation --
Bad Mango - Dave Douglas and Sō Percussion
from album of the same name, Vol. 3 of Dave's GPS set.Let's Call This - Thelonious Monk
from the famous Friday the 13th, 1953 session. One of your better bebop French horn solos. I always confuse this song with "Let's Cool One". This is the trickier and less often played one.Saturday, May 10, 2014
Program notes for the May 10, 2014 Unpopular Music webcast
The blog seems to have gotten away from
“top [fill-in-the-blank] of [today's date]” format, which was
really the format of the (off-line) music journal I'd been keeping
for myself, largely as a writing exercise (itself, largely as an
effort to “just do something”). The process of singling out a
song, or two, or five, or whatever to write about has largely been
replaced by adding said two-to-whatever songs to the playlist for the
next webcast. So now, to get some more writing done, and, let's face
it, create some more “content” for the blog, I'm going to try (at
least this week) to write some “program notes” for the webcast.
I first heard Katie Lee singing Real
Sick Sounds on a compilation called “Beat Jazz - Pictures from the
Gone World volume 2” and enjoyed it's depiction of the lover of
dissonant and off-beat music. Further research led me to the album
“Songs of Couch and Consultation” a sort-of song cycle of
psychologically themed songs which also include The Will to Fail, the
Guilty Rag, Shrinker Man, and others, collectively a
hoot-and-a-holler.
Labels:
Allan Holdsworth,
Annette Peacock,
Bill Buford,
Bobby Few,
Dizzy Gillespie,
Harvey Averne,
Julius Hemphill,
Katie Lee,
Kris Davis,
Naked City,
program notes,
Steve Lacy,
Thelonious Monk,
Tony Malaby
Saturday, March 15, 2014
No. 1 for January 3, 2014
American Hustle directed by David O. Russell
Some fine acting from
across the ensemble, especially Jennifer Lawrence as the loose cannon
homebody housewife who almost blows everything (she's the gun from
the first act that goes of in the third) and Jeremy Renner as the
crooked politician with a heart of gold, excepting for some cringes
from Christian Bale's impersonation of Robert De Niro circa 1980. Any
movie that has characters bonding over Jeep's Blues, falling in love
even, gets a big gold star from me. (Also, another scene is scored
with Monk playing Straight, No Chaser. The source music selections
are so well chosen throughout, that when Danny Elfman's credit came
up, I actually said “wait, there was original music in this movie,
too?” I can't recall any.)
I also will now only refer to the microwave as the “science oven” from this point on.
I also will now only refer to the microwave as the “science oven” from this point on.
No. 1 for January 1, 2014
The Man I Love performed by Coleman Hawkins' Swing Four, from Coleman Hawkins: 1943-1944
One of Thelonious' first
recordings (from 1943) is a swingin' double-time-feel
chorus-and-a-half (which also hints at Criss-Cross) leading into a
fine solo from a heavy breathing bass player before the leader takes
it out. They don't do it like this anymore and you shouldn't even
try.
Top 5 for September 15, 2013
Sugar Boy – Beth Orton
from a collection of performances in KCRW's Morning Becomes EclecticBlue Monk – Thelonious Monk Quartet w/ John Coltrane at Carnegie Hall
An unusual treatment of
the melody. Coltrane seems to be playing a counter melody or inner
voice. Fine solos from both.
This must be the place (Naive Melody) – Talking Heads from Popular Favorites 1976-1983 (aka Sand in the Vaseline)
One of their finest
moments is from their weakest album. The best songs are done better
on Stop Making Sense and this song is on any "best of" collection. This is
the best such collection, band selected with a bunch of otherwise
unreleased tracks. If I recall correctly, this was the b-side to
Burning Down the House. Play it at my wedding if I ever have one.
Subscribe to:
Posts (Atom)