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Saturday, February 29, 2020

Number 1 for February 26, 2020 - Bill Frisell's Harmony at the Regattabar

Bill Frisell was in quiet, beautiful mode which is always a good thing. But the key functions of this group were turned over to the vocalizing of Petra Haden, Hank Roberts (also on cello) and Luke Bergman (also playing guitar.) Soloing was at a minimum. Roberts took one or two, I don't believe Frisell took one at all, mostly laying down lush accompaniment via his Telecaster and his array of magic boxes, leaning towards his country and folk influences, along with his taste or 60's pop songs.

Not to discount her own considerable talents, but in this context, Haden is not only channeling the legacy of her jazz legend father, but also that of her grandparents who led a popular family singing group (including young Charlie) in the early days of radio with songs like Red River Valley, done here a cappella.

This was applied to a first rate selection of songs – among them Stephen Foster's Hard Times, Lush Life by Billy Strayhorn, the Skeeter Davis hit The End of the World, On the Street Where You Live from My Fair Lady, David Bowie's Space Oddity (you know that any show that segues from Red River Valley into Space Oddity is right on in my book,) and the encore of Shenandoah, not only a folk standard, but a favorite of Frisell's idol and teacher Johnny Smith.

And despite living in and around Cambridge, Massachusetts for more than thirty years now, I believe this is the first time I've been led in a sing-along of We Shall Overcome.

Sunday, February 16, 2020

Unpopular Music - February 16, 2020

Greetings!

Today I offer up a program of music I've been putting aside for a new playlist. When I stopped doing the weekly program, I've been trying to pick up the pace of putting all this music I've got lying around onto the old hard drive, and intended to make new playlists out of that material. That effort has not been entirely successful, but I think we've got enough freshness to make it worthwhile. It did come out a bit subdued, though perhaps right for a winter's afternoon or evening. (I took it out for a walk this afternoon to give it a quality assurance listen, and it worked out fine.)

I decided not to play DJ on this one, if only to shape the program rather than to hear my own voice. The program is divided into three sets, marked by somewhat longer pauses, the first ending around the 39 minute mark, the second around 1:19:00. In lieu of announcing, I did write some program notes below.



See the playlist and the notes after the break...