Catching up, Part 2

Remanence: Monstrance/Remonstrance at the ICA Boston (March 29, 2014)

An extravagance presented by the artist Matthew Ritchie and the musicians Bryce Dessner, Shara Worden, David Sheppard and Evan Ziporyn. We began in the lobby of the ICA facing a large mural by Ritchie with light projections above and seated on the floor on foam rubber pads sharing the same amoeba-like design (for serious lack of a better description). The musical component, a collaboration between Dessner and Ziporyn titled "Propolis", a sort of structured improvisation for violin, trombone, bass clarinet, double bass and highly electronically manipulated electric guitar, transformed by Sheppard's sound design, emitting through speakers on all sides and above the audience. The audience is immersed in sound, also somewhat amoeba-like in shape, as Sheppard records the ensembles playing, manipulates it, creating loops and such for the players to respond further etc, etc. Some very fascinating, beautiful, scary music ensued.

Top 6 for March 11, 2014

Sister Marie by Harry Nilsson from Ariel Ballet

A surprisingly edgy tune with heavy beats and guitar effects that stands out from the rest off this otherwise mostly pleasantly poppy album.

Led Zepplin – Irwin with the Hoof and Mouth Sinfonia

From the finale of WFMU's 2013 Fundraising Marathon, this group of middle-aged DJ's play this tribute, originally by the group Carey's Problem, which was delivered from the point of view of a swooning teenage girl (one of series of songs portraying a contrived premature decadence that gets old fast) over a tricky 5/4 groove. I'm intrigued by the absence of any reference to Physical Graffitti, both in the verse that ticks off the Zeppelin albums otherwise in sequence, but also in the list of song titles that makes up the majority of the lyrics.