artist |
song |
album |
comment |
label / date |
Katie Lee | Real Sick Sounds | Songs of Couch and Consultation | 1st part of theme |
Commentary
Records
1957 |
Naked City | Inside Straight | Naked City | 2nd part of theme |
Nonesuch
1989 |
Misha Mengelberg | House Party Starting | Change of Season |
Misha
Mengelberg (p, RIP)
Steve Lacy (ss) George Lewis (tbn) Arjen Gorter (b) Han Bennink
(d)
tune by Herbie Nichols |
Soul
Note
1985 |
Sun Ra & His Arkestra | Big City Blues | Singles | Sun Ra (p) Kelan Phil Cohran (trp) Marshall Allen (as) John Gilmore (ts) Nate Pryor (tbn) Ronnie Boykins (b) Jon Hardy (d) |
Strutt
Records
1960 |
Harold Land | One Second, Please | The Fox | Harold Land (ts) Dupree Bolton (trp) Elmo Hope (p, tune) Herbie Lewis (b) Frank Butler (d) |
Contemporary
1959 |
Wayne Horvitz | This New Generation | This New Generation | music behind DJ |
Nonesuch
1985 |
Herbie Nichols | All the way | Love, Gloom, Cash, Love |
Herbie Nichols (p) George Duvivier
(b) Dannie Richmond (d)
song by Jimmy Van Heusen
and Sammy Cahn |
Bethlehem
1957 |
John Surman | An Illusive Shadow | Coruscating |
John
Surman (ss, ctb clt) Chris Laurence (b)
Trans4mation -
Rita
Manning, Keith Pascoe (vln) Bill Hawkes (vla)
Nick Cooper (vc) |
ECM
1999 |
Paul Motian Band | Fantasm | Psalm | Paul Motian (d) Billy Drewes (as) Joe Lovano (ts) Bill Frisell (g) Ed Schuller (b) |
ECM
1981 |
Henry Threadgil Zooid | A Day Off | Tomorrow Sunny / The Revelry, Spp | Henry Threadgill (flt, as) Liberty Ellman (g) Christopher Hoffman (vc) Jose Davila (tbn, tba) Stomu Takeishi (b) Elliot Humberto Kavee (d) |
Pi
Recordings
2011 |
Naked City | The Sicilian Clan | Naked City | music behind DJ |
Nonesuch
1985 |
Tycho | Slack | Epoch | Scott Hansen (g, syn, bass) Zac Brown (b, g) Rory O'Connor (d) |
Ghostly
International
2016 |
Asiko Rock Group | Lagos City | Asiko Rock Group | music behind DJ |
EMI
Nigeria
1972 |
Sō Percussion | Threads - V: Recitative | Threads | music by Paul Lansky | Cantaloupe Music |
Leopold Stokowski; San Francisco Opera Chorus; San Francinso Symphony Orchestra | Boris Godunov: Act 4, Scene 1 - A forest clearing near Kromy (Revolutionary Scene) | Stokowski conducts scenes from Russian and German Opera |
Nicola Rossi-Lemeni
music by Modest Mussorgsky |
Cala
1952 |
Pierre Boulez, Orchestre du Domaine Musical, Groupe Instrumental a Percussion de Strasbourg | Et exspecto resurrectionem mortuorum, for 34 winds & 3 percussion - I: Des profondeurs de l'abime... | Et exspecto resurrectionem mortuorum; Couleurs de la cité celeste | music by Olivier Messiaen |
CBS
Masterworks
1966 |
Bernard Herrmann | The .44 magnum is a monster | Taxi Driver – Original Soundtrack Recording | Herrmann died the evening after this recording |
Arista
1975 |
Pierre Boulez; Le Domaine Musical | Hyperprisme | Le «Domaine Musical» de Pierre Boulez | music by Edgard Varèse |
Ades
1958 |
The Art of Noise | Instruments of Darkness | In Visible Silence |
music by Anne Dudley, J. J. Jeczalik
and Gary Langan
This track samples a speech by PW Botha (South African
President, Durban, 15 August 1985) “destructive actions of
barbaric communist agitators”, a speech by Rev Ian Paisley
(1985, Belfast City Hall) “Never never never” and a sample of
Neil Kinnock (Labour Party Leader) “Your agony must endure
forever” [source] |
Chrysalis
1986 |
Nico | Frozen Warnings | The Marble Index | Nico (voc, hrm) John Cale (other instruments and production) |
Elektra
1969 |
The Baird Sisters | New Green Place | Until You Find Your Green | Laura and Meg Baird |
Ba
Da Bing Records
2012 |
Someone Still Loves You Boris Yeltsin | Dead Right (Wilmington demo) | Tape Club |
Polyvinyl
2007 |
|
Cannonball Adderley | O Amor Em Paz [excerpt] | Ballads | music behind DJ |
Blue
Note
1962 |
Art Ensemble of Chicago | Zero | The Third Decade |
Lester
Bowie (trp) Joseph Jarman, Roscoe Mitchell (woodwinds) Malachai
Favors (b) Don Moye (d)
everyone plays percussion |
ECM
1984 |
Saturday, March 18, 2017
Playlist for the Unpopular Music Webcast for March 18, 2017
A mixed bag today, we start with some hard bop and then jump around a bit. Maybe too many downers in the second hour, but it perks up towards the end.
See the playlist after the break...
Labels:
playlist
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